Why the Hunger Games Films Will Rock

As you might know, the full-length trailer for the first installment of the popular Hunger Games trilogy was just released. Here’s a link, if you like:


The thing is, these movies are going to be tremendous, almost without a doubt. Of course, a huge part of why these movies will be so stupendous is due to Jennifer Lawrence playing the part of Katniss and the rest of the cast being so very nicely chosen.

Seriously. Elizabeth Banks? Incredible. Josh Hutcherson? Excellent. Woody Harrelson, Lenny Kravitz, Donald Sutherland.. all very nice.

Plus, the company making the films, Lionsgate, has done pretty well for itself in the past and has hired Gary Ross to direct the films, or at least the first one. He’s an accomplished writer (Seabiscuit, Tale of Desperaux, Pleasantville) and a good director as well.

That’s all great, but the reason the movies have such a great chance of hitting multiple home runs is because the books are so cinematic. That’s really the heart of why they’ve been so successful. I also think that the issue of being cinematic is something that writers ought to think about when they are on the 2nd or 3rd revision of their books.

Some books just lend themselves perfectly to being made into movies. Ender’s Game? That’s a hard one because so much that goes on is in his head. Lord of the Rings? Easy: characters, action, exotic places, conflict. The Magic of Recluce? Tough one, most of the first half is in Lerris’ head. The Wheel of Time? Also tough because it is so incredibly sprawling. Harry Potter? Very cinematic. You have a core group of characters who go through multiple conflicts, but you don’t need to change perspective all the time and there’s one major conflict running the entire show.

The Hunger Games has a major conflict running the show: Katniss’ attempts to win the games while bringing down the cruel regime. We don’t change perspective, we don’t have to juggle a bunch of sub-plots, we are in interesting locales, and the characters seem more or less real. Or at least we can identify with them. There is a lot of action; there are lots of twists.

You can very easily picture the scenes and timeline. It translates well to the screen.

I think authors might want to try to write cinematically, because when you do this, it helps you focus on your story. You might ask yourself more often, “Exactly what story is it that I’m trying to tell?” This can help you cut what needs cutting and make a story that clicks along in a way that keeps your reader engaged.

When you write cinematically, you put effort into making your settings vivid. You think, “What about this place or time is going to stick with my reader and help her/him really picture this important scene?” You remember the senses.

When you write cinematically, you think, “What will heighten the drama here? What will push my character closer to the breaking point?”

All of these things make a book more interesting and exciting. So unless Lionsgate just drops the ball royally, the very cinematic Hunger Games trilogy is going to translate very well to the screen and will do phenomenal business.

About jaredgarrett

Jared Garrett is the author of Beat, a YA scifi thriller, and its forthcoming sequel, both published by Future House Publishing. A new series, debuting in January 2016 and also published by Future House, kicks off with Lakhoni, a fast-paced rescue adventure in a world reminiscent of Aztec culture, to be released in January 2016. He self-published Beyond the Cabin, a novelization of his childhood in a cult, in December 2014. Both Beat and Beyond the Cabin were Whitney Award nominees, and his story Song of the Wind, received honorable mention in the Writers of the Future contest. In addition to writing, he's spent fifteen years in adult education and is an accomplished public speaker and workshop leader.
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